The camera is my tool. Through it I give reason to everything around me. -- André Kertész (1894-1985)
Wednesday, January 28, 2015
Sunday, January 25, 2015
Friday, January 23, 2015
REFLECTION, NYC
Have not been on any photo trip lately. I am working on some other projects but when I was looking for some pictures I needed I got interested in a file with images I made in NYC. So I liked this reflection but I made a few different interpretations of this picture. I made a few in colour, which worked fine but eventually I prefered this toned monochrome image.
Sunday, January 18, 2015
BARN NEAR WATERLOO, ONTARIO
Here is the barn where I photographed the cat sitting behind the glass enjoying the sun. It is quite interesting going back through my files and then using the raw files to create new interpretations of an image. It reminds me what Ansel Adams said. The negative is the score and the print is the interpretation. The RAW files are simply the substitute for the negative.
Saturday, January 17, 2015
BARN CAT
Again working with some old images because I simply don't feel wandering around in this weather to take Winter images. This picture I made some years ago at the end of the Winter near Waterloo, Ontario. This area has some very beautiful old farms. Outside a barn I noticed some cats enjoying the sunshine. One of them decided to stay in the barn. The barn was old and tomorrow I will post a black and white image of the old farm.
Wednesday, January 14, 2015
Sunday, January 11, 2015
WINTER FIRE
My apologies for my very irregular postings. This week has been very busy and also it has been very cold too cold to go on my regular little photo excursions. Anyway, my neighbour cut one of our dead trees, which he then burned in the back garden. It was nice to feel the heat in the snow covered, cold landscape.
Tuesday, January 06, 2015
FIRST WINTER SNOW
Saturday, January 03, 2015
REFLECTION
Walking down the hallway I noticed the reflections of the sunlit hall and room. I am always intrigued by the visual abstractions of reflections. Most of the time we don't notice the strong unusual pictorial "stopping power" of these simple fragments and details, which JWM Turner calls "pictures of bits".